Opening Ceremony of the Sixth Exhibition Hall (Buddhist Temple) of Zhengzhou Shanhai Duckweed Museum

The Buddha statue in the Buddhist temple and the offering in front of the Buddha

At 6 o'clock in the morning of March 29th, the Buddhist Temple, the sixth exhibition hall of Zhengzhou Shanhai Ilex Museum, held a ceremony to hold and open to the public. The museum specially invited the closed disciple of the Shaolin Temple Yongshan monk, Shi Yanfo, the host of the Great Fawang Temple in Songshan, and his disciples to preside over the ceremony for the Buddhist temple.

In order to more directly show visitors the role and position of Calligonum in Buddhism, Zhengzhou Shanhai Calligonum Museum added a sixth exhibition hall-Buddhist Hall on the basis of the original five exhibition halls and one exhibition hall, which was designed and arranged by curator Zhou Yunxiang himself. In the Buddhist temple, Sakyamuni Buddha, Manjusri Bodhisattva and Guanyin Bodhisattva are enshrined in the central government, as well as the Third Buddha, the Four-armed Guanyin and the Goddess of Mercy in the palm of one's hand. There are vases, candlesticks, water purification cups, fruit bowls, incense burners, stupas, snails, dzi beads, yins, etc. on the altar. Among them, the III Buddha, the four-armed Guanyin, the Sakyamuni Buddha, the pharmacist Buddha, the tribute beads, the vases, the candlesticks, the water purification cups, the fruit bowls, the incense burners, the Buddha beads, the stupas, the stupas, the pharaohs, etc. are all made of hard materials, and there are 15 hard cultural relics and 9 pieces on display. The overall layout of the Buddhist temple is solemn, neat and clean, and Buddhism and Calligonum are perfectly combined, which complement each other and complement each other. Among the treasures enshrined in the Buddhist temple, the "III Buddha" is a cultural relic of the Ming Dynasty. It has been enshrined in the Jokhang Temple in Lhasa for hundreds of years, and its carving is fine and solemn. The "four-armed Guanyin statue" is also a cultural relic of the Ming Dynasty. It is painted with gold outside the material, and the carving is complex and fine, gorgeous and solemn; The two "Candlesticks" are both cultural relics of the Han Dynasty, which are simple and full in shape and returned from Japan. Although they have gone through vicissitudes, they still look the same.

Setting up a Buddhist temple and offering sacrifices to Buddha statues in the Museum of Ducko can not only show Buddhist knowledge and the exquisite value of Ducko more intuitively, but also reflect the preciousness and respect for the Buddhist sacred object-Ducko cultural relics. It also has the effect of calming the nerves, spreading the Dharma to the public, providing self-study, listening and thinking, and promoting the Dharma.

After the holding ceremony of the sixth exhibition hall-Buddhist Temple, the museum will open to the public and welcome customers.